A Newly Built Vancouver House Designed to Feel Remembered

Words By Allegra Salvadori

June 1, 2026

At first glance, it feels as though the house has always stood there.

Set within First Shaughnessy, one of Vancouver’s most architecturally storied neighbourhoods, the Tudor Revival residence carries the quiet authority of age: copper gutters softened by weather, limestone detailing, brick garden walls and wood windows shaped according to strict heritage requirements. There is gravity to its proportions and romance in its silhouette. Yet the house is entirely new.

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For founder and principal designer Kelly Deck, the challenge was never to reproduce history, but to create the emotional resonance of it.

“The intention was to create a home that feels like an original Shaughnessy manor beautifully restored for modern life,” Deck explains. “Not antiquated, but deeply atmospheric.”

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Designed for a family of six with four grown children and two dogs, the 9,000 square foot residence was conceived as both sanctuary and social anchor, a place where a family returning to itself might continue gathering as adulthood gradually redraws its rhythms. The husband, who grew up in the area and later raised his own children nearby, wanted the home to establish continuity and legacy; his wife gravitated toward restraint, simplicity and quiet refinement. Their opposing sensibilities became, unexpectedly, the project’s central design language.

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“The balance between his love of pattern and her preference for restraint shaped the design narrative,” says Deck.

That negotiation reveals itself everywhere, not through contrast but calibration.

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Constructed by Feature Projects and architecturally envisioned by Wiedemann Architectural Design, the home adopts the formal language of Tudor Revival architecture without slipping into theatrical nostalgia. A hand carved stair rail, custom turned spindles and traditional finishing carpentry lend the interiors their sense of permanence, while custom millwork by Sage Cabinetry grounds the house in craftsmanship rather than ornament.

“Weekly collaboration with highly skilled trades, especially the finishing carpenters, was one of the greatest pleasures of the project,” Deck recalls.

Inside, colour becomes architectural.

In place of the all white neutrality that dominates contemporary domestic space, rooms unfold through saturation and mood. “One of the first things the owner said was that he didn’t want an all white home, which opened the door to rich color and heritage expression,” Deck says.

The dining room is enveloped in a brick red silk wallcovering, while the living room settles into a deep, almost cinematic blue, centred around a fireplace carved from a single block of stone threaded with blue grey veining. Smoked oak herringbone floors finished in wax carry warmth underfoot, while honed marbles including Calacatta Viola introduce softness through material imperfection.

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“Room to room colors are intentionally linked for continuity,” Deck explains. That sense of flow moves quietly from smoky teal cabinetry in the cloakroom to a powder room layered with Morris & Co. wallpaper, through a sage green butler’s pantry finished with a wallpapered ceiling and into the entry, wrapped in silk wallcoverings by Pierre Frey. Lighting by Circa Lighting and Hudson Valley Lighting creates pools of warmth against richly textured surfaces, while textiles and finishes sourced through Kravet and Metro Wallcoverings contribute to an atmosphere that feels layered rather than staged. Paint colours by Farrow & Ball deepen the sense of lived intimacy.

If the house feels emotionally convincing, it is because the team resisted the temptation to soften it.

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Deck recalls a moment during installation when uncertainty surfaced around the living room’s dark blue. “The painter worried the living room blue was too dark,” she says. “We briefly tested a lighter version, but the softer blue looked completely out of place. It had none of the depth the room needed.”

Returning to the original hue became an affirmation of instinct. “We are always better together,” Deck reflects.

Across four levels, the house alternates between formality and release. The main floor retains a traditional plan of entry hall, living spaces and family rooms gathered around the kitchen, while lower levels loosen the atmosphere with a speakeasy, sports bar, wine room, media room and gym. Upstairs, private quarters culminate in a calm principal suite, while an attic kitchenette and roof terrace offer moments of retreat.

Yet despite its scale, the house never feels performative. Contemporary artworks and Asian influenced rugs quietly interrupt historical references, keeping nostalgia from becoming costume.