Ochaya Majlis. Studio Nada Debs x de Gournay at Alserkal Avenue

Words By Allegra Salvadori

February 27, 2026

During Ramadan, space acquires a different tempo. It slows. It listens. It gathers.

At her newly opened boutique in Alserkal Avenue, Nada Debs invites this quieter rhythm through Ochaya Majlis, a month-long installation created in dialogue with the London-based house of hand-painted wallpapers, de Gournay. Inaugurated with a private Suhoor and on view until March 29, the project unfolds as both teahouse and majlis — a structure of hospitality that bridges geographies without collapsing their distinctions.

Nada Debs x Degournay Process 7

The installation takes the form of an elevated wooden pavilion. Shoji-like sliding screens temper light and movement; tatami flooring grounds the body. Inside, de Gournay’s hand-painted gold Portobello chinoiserie wallpaper glows with a restrained opulence, while the exterior is wrapped in wool sateen embroidered with plum blossom motifs. The dialogue is not decorative but tectonic: surface, structure, and ritual coalesce.

Nada Debs x Degournay Process 5

Debs’ signature diamond hand-carving pattern articulates the generous majlis seating, accompanied by mother-of-pearl zigzag tables and bespoke pebble seats developed in collaboration with de Gournay. The result is immersive yet intimate — an environment where Far Eastern and Middle Eastern references do not compete, but resonate. This is less East-meets-West than East-and-East: a subtle acknowledgement of parallel histories shaped by the Silk Route and sustained cultural exchange.

dG Nada Debs Plum Blossom D2

For Debs, who was raised in Japan and continues to maintain a deep connection to its craftsmanship traditions, the installation extends a long-standing exploration of duality — where cultures and mediums intersect to form new global conversations. For de Gournay, whose practice is rooted in artisanal techniques passed down through generations, the collaboration becomes a meditation on the handmade as the ultimate expression of luxury.

Presented during a month defined by reflection and gathering, Ochaya Majlis reframes the pop-up as something more enduring: a spatial thesis on craft, memory, and the architecture of exchange.